Unlike Painters and Sculptors who use tangible
things as their medium, Photographers use Light and Shadow to
illuminate, model, shape, define and represent our subjects. Painters
use tempura, watercolors and oil paints on paper wood and canvas.
Sculptors work with a variety of physical mediums including clay,
stone, metal and glass.
You can't hold light or shadow in your hands.
You can't take a pile of light and a pile of shadow and brush
them onto a canvas, or carve them with a chisel, or weld them
together with a torch. Light happens, and objects that stop the
forward travel of the light create shadows. And light travels
at some 180,000 miles per second, so how can it be said that light
and shadow are being 'used to define and represent a subject'?
Well, that's the trick then, isn't it? If you
have a steady light source such as the sun, or a light bulb, or
a dependable on-demand, directional light source such as a flash
or strobe unit, a photographer can either position the subject
in such a way that from the photographers viewpoint, the subject's
interaction with the light source creates shadows which gives
the subject the appearance of three dimensional reality. Or, the
photographer can reposition himself so that the same effect results
from his viewpoint. Or return to the subject at different times
of day.
So, does that make it sound like there are a
few things to know about before a person can reliably make a good
photograph? Well, there are! There are many factors that come
into play whenever a photograph is being made. Certainly exposure
in the camera is critical to a photograph's success, and that
depends on the photographer's ability to read the light correctly.
There are also camera position and angle, angle of view or framing,
and certainly how interesting the subject matter is. But the whole
outcome is completely dependant upon the amount, quality and direction
of the light source or sources.
What else is important in creating a successful
photograph? The "feel" or affinity the photographer has for the
subject. Now this is completely subjective, as is the interest
level of the subject, and the overall presentation of the whole
image. And all this working with a medium that is intangible!
So then, what is "Art"?
In my experience, when someone says they are a
"Painter", or "Sculptor", the assumption is that they are an "Artist".
When someone says they are a "Photographer", more often than not
the assumption is that they are a "Tradesman"!
Sure, it is true that there are at least three
"classes" of photographer: Artist, Tradesman, and Hobbyist. Isn't
it also true of those who use other mediums? There are 'sculptors'
who fashion headstones, and engravers of signs and markers. There
are 'painters' who apply latex to exteriors of buildings. Are
they not 'tradesmen' rather than 'artists'?
In no other occupation is there greater potential
for creative artistry than photography! In all photographic endeavors,
whether in conceptual art projects, journalistic coverage of events,
or documentation of objects, there is always the potential for
the most aesthetic lighting, the dramatic angle, the flattering
pose. Photography is an art. It's just that not everyone with
a camera is an accomplished artist.
About the author: Stan P. Cox II runs a Portrait
and Commercial photography studio in Honolulu, Hawaii, and has
been a professional Hawaii photographer for 31 years. His web
address is: http://www.ParamountPhotography.com. This article
may be freely distributed if this resource box stays attached.